Disco:Very

Let's Deciper the Lyrics to "Eveningness", the Best Track on the New Album by Lotus Plaza

noreply@blogger.com (Disco:Very) — Thu, 03 May 2012 22:47:00 +0000

[INSTRUCTIONS: PLAY SONG ON REPEAT FOREVER AND EVER AND EVER]

Looking at my purse and not at you
I deathly need the rest of the tofu
Three’s a Crowd and Moopy and a foot
Chains smoking the drag and it’s a pain

[CHORUS]
I wouldn’t wear it again
And my waist is eveningness
I wouldn’t give it again
And my peas are eveningness
I wouldn’t have it again
And my pace is eveningness
I wouldn’t go it again
And my face is eveningness

Romper Room and gulls that pull it down
Shaggy mom and moves it to its head
Labor love and shadows aren’t that deep
I see them now and don’t want the bar keep

And now that I’ve seen how they change
I know the way you’d have it the same
My game is too pooped to change

CHORUS

[The most transcendent yet subtle musical interlude ever composed.]

[REPEAT FIRST VERSE]

[CONTINUE PLAYING SONG UNTIL YOU GET SICK OF IT, WHICH WILL NEVER HAPPEN, EVER]

The Unintentionally Hilarious Press Photos of Bands Playing in My Area in the Near Future [Part 2] [Click Photo to Enlarge the Lulz]

noreply@blogger.com (Disco:Very) — Tue, 01 May 2012 23:21:00 +0000

Disco:Very Celebrates Record Store Day [By Being a Nuisance] - Part 7

noreply@blogger.com (Disco:Very) — Mon, 23 Apr 2012 13:08:00 +0000

Unnamed Local Record Store Chain: [Name of store], this is [name].
Disco:Very: I'm calling to find out your store return policy, specifically a vinyl album I just purchased at your Record Store Day sale.
Unnamed Local Record Store Chain: Was there something wrong with it?
Disco:Very: So many things wrong with it! I don't even know where to begin! First off, it was a special limited-edition vinyl copy of Nicki Minaj's masterpiece Pink Friday: Roman Reloaded and as we all know, Roman is an avatar of Miss Minaj, but because Nicki and Roman share so many aesthetic and representational similarities, the alter ego of Roman is barely perceptible!
Unnamed Local Record Store Chain: [Sounding confused.] Um, OK, so you're just unsatisfied with the music? And the record itself isn't broken or whatever?
Disco:Very: That's not the worst of it, my friend. The album was pressed on pink vinyl but but instead of, say, Pantone 18-2133, it's more like salmon or a dark apricot color when, clearly, it was supposed to be the color of Nicki's labia minora.
Unnamed Local Record Store: Her what?
Disco:Very: Her labia minora.
Unnamed Local Record Store: [Pause.] I don't know...uh...
Disco:Very: It's a type of flower.
Unnamed Local Record Store: So it's a type of flower on the cover?
Disco:Very: No, no. It's a type of flower which women enjoy carrying around. Lots of women have them, though not all of them.
Unnamed Local Record Store: [Completely lost in thought.] Uh...
Disco:Very: You can just ask any woman in the store the color of her labia minora. Go ahead, I'll wait.
Unnamed Local Record Store: Well, we're pretty busy here and...
Disco:Very: You can just call it out on the microphone, on the PA system in the store. You should just say into the microphone "Will the female customers and employees please bring your labia minora to the cash register please?".
Unnamed Local Record Store: Hang on. [Muffled sounds--appears to be asking a female employee how to handle this call. Female employee seems to know what a labia minora is, hangs up the phone without speaking to me.]

Disco:Very Celebrates Record Store Day [By Being a Nuisance] - Part 6

noreply@blogger.com (Disco:Very) — Sat, 21 Apr 2012 15:17:00 +0000

Unnamed Local Record Store Chain: [Name of store].
Disco:Very: [Big breath, pause.] There is a remarkable moment when one listens to an album by Florence & the Machine when one realizes they are on a journey of the soul, and all of our hopes, dreams and desires are being laid out before us, naked yet shrouded, vulnerable yet wrought with bravery, and it is during these occasions when we find ourselves floating into the ether of togetherness, for we are at one with Florence & the Machine, and the artistic vision therein, and we are alone, straddling the blurry uncharted land where the sun meets the stars, exemplified by the sounds one hears in between each of their songs; for these quiet fleeting emotions have been captured on a limited-edition 10-inch Record Store Day release, made up entirely of the sounds one hears when Florence & the Machine is not performing, and I am hoping, yearning, praying that your store will have this silent recording, comprised entirely of the space between the songs. Yae, verrily: a record of nothing. Do you have this record, kind madam?
Unnamed Local Record Store Chain: [No response.]
Disco:Very: I can hear you breathing.
Unnamed Local Record Store Chain: [No response.]
Disco:Very: And it is like the opening of a swan's wing, the awning of--.
Unnamed Local Record Store: [Hangs up.]

Disco:Very Celebrates Record Store Day [By Being a Nuisance] - Part 5

noreply@blogger.com (Disco:Very) — Fri, 20 Apr 2012 18:58:00 +0000

Unnamed Local Record Store Chain: This is [name of store] on [street name].
Disco:Very: And a good morning to you, sir! I'm very excited about Record Store Day tomorrow and I have a few questions I'm hoping you can answer.
Unnamed Local Record Store Chain: Sure, go ahead.
Disco:Very: I'm told there will be a special limited-edition 5-inch vinyl release of Sun Ra performing the hits of Yo La Tengo available for purchase.
Unnamed Local Record Store Chain: [Pauses.] Well...no, uh, are you sure it's not the other way around? I would think more that Yo La Tengo would be covering the songs of Sun Ra. That would make more sense.
Disco:Very: No, no, I'm pretty sure it's Sun Ra covering Yo La Tengo. They were a big influence on him. He was a huge fan of their indie rock sound.
Unnamed Local Record Store: Well...plus Sun Ra has been dead for a few years so...
Disco:Very: I'm not sure of the particulars. I only know that it's been pressed on colored vinyl and the vinyl colors mirror that of J.Crew color descriptions: cinnamon, rosemary...things like that.
Unnamed Local Record Store Chain: [Pauses, obviously not interested in dealing with a record-collector train wreck.] Um, OK. I can check our listings.
Disco:Very: The most important thing to know is that this is very limited. There will only be two pressings.
Unnamed Local Record Store: So, two runs of, like, 1000 each or...?
Disco:Very: No, just two records total. And the vinyl pressing plant which made them has been destroyed--completely burned to the ground--to ensure that these two copies can never be duplicated ever again.
Unnamed Local Record Store Chain: [Silence. Dawns on him this is a prank.]
Disco:Very: [Speaking quickly, so as not to lose the call.] Also, all the employees at the pressing plant were blinded immediately after the two records rolled off the conveyer belt, thus certifying that they would never again be able to take part in the production of 2 records so lovely and singular. It's as if God Himself crafted these records out of his golden tablets.
Unnamed Local Record Store Chain: [Laughs.] You're a fucking asshole. [Hangs up.]

Run Away From the Blight

noreply@blogger.com (Disco:Very) — Thu, 12 Apr 2012 05:36:00 +0000

There are those who would tell you Alabama Shakes and Rubblebucket are two new bands into which you should be plugging your earbuds, but I am here to warn you, children, that these are freshly-shaved lies. The morally reprehensible Alabama Shakes sport the most generic, lame-ass bar-band sound you could ever muster, tailor-made/readymade for Bonnaroo burnouts; Rubblebucket are the polar opposite, pushing so far at appearing quirky, you can only respond by patting them on the head and pointing them towards the cut-out bin which they'll soon be inhabiting. The hype machine surrounding these yawn-inducing embarrassments must be avoided above all else. These are dangerous times to be a music lover, and we need to protect each other from all this lethal danger to our tastes.

The Homeless Emperor's New Clothes (Except He's Not Really Homeless)

noreply@blogger.com (Disco:Very) — Mon, 02 Apr 2012 17:04:00 +0000

I'm well aware of the fact that Willis Earl Beal is this year's hot new outsider artist but I don't see him as anything interesting, special or unique, and I'm OK with that. May I please go now?

With Only 39 Years Left to Live, It's Time I Finally Got Around to Digitizing My Cassette & Vinyl Collection [Part 17]

noreply@blogger.com (Disco:Very) — Sun, 25 Mar 2012 20:50:00 +0000

The McGuire Sisters - May You Always b/w Achoo-Cha Cha (7" on Coral Records, 1958)

The A-side of this single by The McGuire Sisters is a dull affair, pedestrian in its arrangements and sentimental yearnings, but the B-side involves allergic reactions which, as we know, always make for great music (though not always). This tune's theme is universal, which explains why it's a worldwide hit, with an admirable flexibility allowing it to be performed with everything from an inoffensive Branson, Missouri twist to an oddly instrumental man-with-stuffed-monkey camp fest. Now all we need is someone to write a tango about mental depression.

With Only 39 Years Left to Live, It's Time I Finally Got Around to Digitizing My Cassette & Vinyl Collection [Part 16]

noreply@blogger.com (Disco:Very) — Mon, 19 Mar 2012 04:49:00 +0000

Dub Narcotic Sound System - Fuck Shit Up (7" EP on K Records, 1994)

Olympia's boy wonder Calvin Johnson finally figures out how to bump 'n' grind and leaves a string of 7" singles in his wake. The A-side is the punk anthem James Brown forgot to write, while the B-side is a facsimile as spoken word performance art. I've grown tired of waiting for this slab to be pressed on aluminum and seeing how my death is imminent, I just wanted to dig in before my grave is dug up.

With Only 39 Years Left to Live, It's Time I Finally Got Around to Digitizing My Cassette & Vinyl Collection [Part 15]

noreply@blogger.com (Disco:Very) — Sun, 26 Feb 2012 21:38:00 +0000

Volumatix - Volume One (12" EP on Republic Recording Corporation, 1982)

Unknown and best-forgotten New Wave act out of Austin, with a legend just obscure enough to make their vinyl sell for obscene amounts on Discogs. It's worth downloading this 6-song EP for the giggle-inducing opening track alone, whose entire lyrical content unfolds thusly: "What? Who? Huh? Uggghhhh!" If only someone had a made a campy, poorly-acted, overwrought video to accompany it. Oh wait, someone already did.

noreply@blogger.com (Disco:Very) — Fri, 17 Feb 2012 00:24:00 +0000

My head is hung in submissive shame as I announce that Disco:Very has now joined the reprehensible Twitter. Same pithy postings, but now with 80% less content. Postings will continue apace here at the mothership, but now you can get snarky Tweets for those times when I'm too lazy to link actual music. Look, if you want this relationship to work, you're going to have to support me on this. Divorce is not an option.

Sleepy-Time Music for Sleepy-Life People

noreply@blogger.com (Disco:Very) — Mon, 13 Feb 2012 18:43:00 +0000

On the pie chart in my head, snooze-inducing bearded bard Bon Iver is as compelling a listen as swallowing a bottle of Lunesta. But now that we have to take him seriously after winning the 2012 Grammy for Best New Artist, the obvious questions becomes whether or not his career will mirror that of past New Artist winners? Out of the professional options below, pick the one he will least likely embark upon:

Will become, like The Swingle Singers, the source of a stupefying Trivial Pursuit question.
Will go blind, like José Feliciano, from congenital glaucoma but get to enjoy image-enhancing sunglasses with untapped coolness factor.
Will give the gift of sperm to a famous lesbian, the same way David Crosby did.
Will be profiled in an underground film by Todd Haynes after dying of chemical imbalances associated with anorexia nervosa.
Like Milli Vanilli, will be revealed to lip-synching at every performance
Like The Beatles, he will become the best-selling artist in history, with estimated sales of over one billion units, influencing countless genres of music the world over.

The correct answer is: g) Bon Iver who?

Twin Peaks (Except One of Them Doesn't Peak at All.) (These Headlines Are So Fun To Write.) (I'm So Very Starved for Your Attention.)

noreply@blogger.com (Disco:Very) — Sun, 12 Feb 2012 15:50:00 +0000

If you decide, like me, you're going to become a slobbering fan of the new-ish combo Taco Leg, you must first understand a most important yet curious fact: there seems to be, amazingly, two bands with the same awesomely hilarious name. (Which is a Butthole Surfers reference, yes?) There is this Taco Leg--they're from Australia, their musically inept (that's a compliment) new single is pictured above on the left, and their primitive/fuck-you-I'm-a-dum-dum anthems are exquisitely pleasurable. On the other hand, we've got this Taco Leg. They should be boss, since they're from Austin and although they're not a complete suck-fest...well, um, can you hate a band because their poster art is pukey? Great, because the Big Brother & the Holding Company-esque image above, right, is reason enough for my eternal scorn. If you wish to own anything from the Aussie Taco Leg, empty your wallet here. If you wish to own anything from the Austin Taco Leg, I'm afraid we can't be internet butt buddies anymore.

Acts of (Adorable) Aggression

noreply@blogger.com (Disco:Very) — Sun, 12 Feb 2012 15:09:00 +0000

The hypno-nervous post-punk energy of UK outfit Chapter 24 are enough to scratch the itch you've been missing since Gang of Four reformed and were promptly put to death for the crime of Playing Suck Music in Old Age (of which all reunited bands are guilty). Hooray for us, they're coming to US, though playing two hours north of me on a Wednesday night--an impossible excursion since I work for a living and would be forced to arrive at the office looking uglier than I already am after only 4 hours sleep. Thankfully, I have the band's (charmingly?) uncreative website to tide me over with various videos and Soundcloud audio until I get off my skinny ass and actually buy their awesome debut single. (You can also Stateside it at Aquarius Records.) Their blog also highlights another feature of the group: they look far too polite to be playing music this aggressive.

The Unintentionally Hilarious Press Photos of Bands Playing in My Area in the Near Future [Part 1] [Click Photo to Enlarge the Lulz]

noreply@blogger.com (Disco:Very) — Tue, 07 Feb 2012 04:41:00 +0000

Vag-Tastic!

noreply@blogger.com (Disco:Very) — Fri, 03 Feb 2012 18:45:00 +0000

Am I the only fan of this song who assumed the first line was "Vagina is greater..."? In my mind, I had assumed this was some pro-Matriarchy right on Feminist treatise.

Don't hate me because I'm beautiful.

Me and My Precious Feelings While Attending the 2012 Sundance Film Festival. Me, Me, Me. [Part 3]

noreply@blogger.com (Disco:Very) — Sun, 29 Jan 2012 16:41:00 +0000

There is this young long-haired surfer dude I keep seeing at every film I attend, which means he has the same festival pass as me, and we always end up sitting on the same aisle (it's the one with the most leg room). Without fail, if I hate a film, I hear/see him enraptured over it. If I find a film engrossing, I observe him fidgeting with his cell phone. I've come to the conclusion he is me in Opposite Land. I must talk to him and find out if he enjoys Circus Peanuts and pretzels the same way I loathe them.

I've thought of a pretty good tagline for the film Keep the Lights On: Love Means Never Having to Hold Your Lover's Hand While He is in a Meth-Addicted Fog While Being Sodomized by a Hustler. (Seriously, though, it's a great film with an excellent soundtrack by Arther Russell--check it out when it hits theaters.)

I saw Cheyenne Jackson in the lobby of the Festival Headquarters, and good god is that man tall. He was with another gent I assumed to be his husband who was just as epic in size, and my hope is that medical science will find a way for them to birth a baby together, thereby breeding a race of super-tall toddlers which will one day rule the world.

While seated waiting for a film to begin, a woman stands near me chatting with her friends seated next to me: "Oh! I never knew this theater had a balcony!", she exclaims while looking up. "I've never done balcony. Have you ever done balcony?" Not "done the balcony"--but "done balcony", as if it were a drug.

I've only walked out of two shit films, which is a new low record for me at Sundance. I must be getting better at sniffing out the duds before entering.

I thought of a pretty good tagline for the film For Ellen: It's Kramer vs. Kramer for the MTV Generation! (Seriously, though, it's another great film by So Yong Kim--check it out when it hits theaters.)

Whenever I'm in line for a screening, there is a moment in line where someone standing next to me asks where I'm from, and for a split second I debate whether or not to lie rather than admit I'm from Arizona, the Land of Fucktards.

The Grand Jury Prize for U.S. Dramatic Film went to Beasts of the Southern Wild and it was wholly deserving of all the accolades. It's a grand work, thematically ambitious and addressing a fully-formed range of ideas, and yet the filmmaker is only 29 (after suffering through the reprehensibly boring Save the Date and its sitcom-level concerns, I had wrongly assumed all 20-something filmmakers cared about was telling stories of other 20-somethings trying to figure out this thing called love). I'm reading a great deal of reviewers referencing Terrence Malick as an obvious influence, and although the narration of wise-beyond-her-years lead character Hush Puppy does put it in the same category as Days of Heaven, there seems to be more going on than that initial comparison. I'd go one further and cite Malick devotee David Gordon Green's George Washington, Charles Burnett's Killer of Sheep and perhaps even Pedro Costa's Fontainhas trilogy (specifcally In Vanda's Room) in its deeply humanistic documentation and celebration of outcasts struggling to survive while being wiped away by outside forces. So moved was I by this film that I've decided to skip all the screenings for the rest of the festival. Beasts is such a perfect film, mixing moments of visceral tenderness, textured imagery and mythical grandeur in equal measure, I want to make sure this is my last memory of the festival.

Me and My Precious Feelings While Attending the 2012 Sundance Film Festival. Me, Me, Me. [Part 2]

noreply@blogger.com (Disco:Very) — Wed, 25 Jan 2012 08:18:00 +0000

Oh Parker Posey, you adorable urchin of independent cinema. When I saw you from below the staircase you were ascending, it almost felt as if you were treading on my heart. And where did you get that slim figure? Who knew that the improvisational comedies of Christopher Guest would make an actress burn so many calories! Too bad your boyfriend at the photo shoot likes the generic wanky reggae of Bob Marley. P-U! Dump him pronto and get a new beau with better taste in music.

Well, look at you Chris Kattan! You're such a tiny little thing, it's probably not such a good idea to stand next to Graham Phillips for too long. Oops, too late. He's already towering over you.

When I shook your hand, Vera Farmiga, I could tell you were completely interested in who I was and where I worked. It was as if the entire universe stopped at that very moment and you were consumed with making sure you heard every word I uttered. Call me...?

Thank you for taking the time to pose for a photo with my boss, David Duchovny. Your brain might have gone to Princeton and Yale, but that smirk will always be reserved for the undergrads.

If there is one thing you've got to love about William H. Macy (besides his flippy-floppity hair and the ability to stay glued for almost an hour on a single cell call) is the fact that he doesn't know who LCD Soundsystem is, thus allowing him to politely decline an invite to James Murphy's DJ set in the Bing Lounge. I wish William H. Macy was playing at my house.

Was that you, gay Bishop Gene Robinson, wearing that severely flashy purple Catholic blouse with the ornate cross on top during the private photo shoot? Just because there is a new documentary on you playing this year doesn't mean you get to hog the fashion spotlight from all those girls walking the streets of Prospector Square drunk in their Uggs.

Me and My Precious Feelings While Attending the 2012 Sundance Film Festival. Me, Me, Me. [Part 1]

noreply@blogger.com (Disco:Very) — Mon, 23 Jan 2012 07:36:00 +0000

Just attended the first screening of The House I Live In, a searing expose by Eugene Jarecki on America's so-called War on Drugs and its extreme effects on various racial and socioeconomic communities. There's probably more to this documentary than that, but I had been huffing goofballs all afternoon so the entire film is a haze. I have a vague recollection that it has a happy ending.

The Snow Must Go On (Because Sundance is a Kind of Show, Surrounded by Inches of Snow.) (This Proves I am Clever.)

noreply@blogger.com (Disco:Very) — Mon, 23 Jan 2012 06:13:00 +0000

For the rest of the week, I will be writing you from the 2012 Sundance Film Festival. There is probably something more to say about this right now, but I'm too busy just hoping my cojones don't fall off from the cold. If that happens, please don't mock me at least until I'm able to mock myself.

I Suck. You're Welcome.

noreply@blogger.com (Disco:Very) — Tue, 27 Dec 2011 23:10:00 +0000

The last day of every year always yields many dull and predictable events: nutter religious figures predicting the end times, over-zealous bargain hunters digging through bins of Christmas decorations slashed half-off, etc, etc.

Sadly, this little blog is no better.

Once again, I announce my sub-meager annual end-of-the-year CD compilation pulling together my favorite songs from the past 12 months. This 2CD set (cleverly entitled Disco:Very 2011) has 40 tracks of toe-tapping, head-slapping beauty guaranteed to make you dance around the house.

To get your free copy of this one-time-only gift, simply send your name (fakes accepted) and address to peecat at mac dot com and the package will be on its way. Your name and address will be thrown away after your package has been sent, and will not be shared with anyone else.

It's the end of the year as we know it (and I feel fine giving away cheap CDs to random strangers).

It's Better to Light a Bulb Than to Curse the Darkness

noreply@blogger.com (Disco:Very) — Mon, 26 Dec 2011 00:54:00 +0000

Some Random Thoughts Upon Viewing Fucked Up Playing David Comes to Life in Its Entirety.

It's understandable that the lead vocalist Damian Abraham would remove his shirt during the first song--the room appears to be packed with slithery writhing bodies--but then why is drummer Jonah Falco wearing long sleeves? Does a drummer not work up a sweat? Does a drummer not bleed if you prick his skin?

What does the string quartet do in between their moments in this concert? When they're not playing, they are nowhere to be seen. Do they just sit there wearing earplugs and humming Handel to themselves? If I was a classically-trained cellist, I'm not sure I'd want to sit through an entire Fucked Up set, even at Union wages. I'd hear that cacophony of squall and think, "I went through Juilliard for this??

When lead vocalist Damian Abraham encourages the audience to finish his lyrics at the end of each line, or worse, gives each of them a high-five during guitar solos, it's the equivalent of Sting initiating a sing-along at a reunion show of The Police. I want it to stop.

Lead guitarist Josh Zucker looks a little bit like my friend Jeff Glave who, last time I saw him, was growing his hair out in a shaggy/ridiculous hippy-dippy fashion. I want it to stop.

Why does lead vocalist Damian Abraham put his shirt back on for the encore? I would think, after such a rousing performance, he would be more likely to stay stripped down, perhaps even getting more stripped down, as he did in the latest issue of Spin. Is this a cry for attention?

With Only 39 Years Left to Live, It's Time I Finally Got Around to Digitizing My Cassette & Vinyl Collection [Part 15]

noreply@blogger.com (Disco:Very) — Sat, 03 Dec 2011 16:34:00 +0000

Monopoly Queen - Monopoly Queen 7" (7" 45 on Sub Pop Records, 1994)

A one-off single composed and produced seemingly in a few hours by Lisa Crystal Carver (known to her parents as Lisa Suckdog) and quickly pressed by Sub Pop back when they were still flush with Nirvana cash. The A-side is a duet between art-prankster Boyd Rice and Mary Ellen Carver (known to her children as Mama Suckdog). Click on the cover art above to get the full story. Am I the first person to post a rip of this oddball single? If so, this maintains my reign as King of the Internet.

Live Blogging the 8,236,146th Viewing of Party Rock Anthem Kia Soul Hamster Commercial

noreply@blogger.com (Disco:Very) — Wed, 09 Nov 2011 17:47:00 +0000

I'll watch this dreck so you don't have to.

0:01 This landscape looks not unlike the Occupy Wall Street protest going on outside my office window right now.
0:03 Damn space aliens and their aggressive take-over-the-Earth rampages!
0:06 The two warring factions don't look all that dissimilar. Question: are the creators of this commercial imparting a deeper meaning?
0:11 Answer: The Kia has arrived so apparently not.
0:15 I saw some sneakers similar to this at Ross Dress for Less once but they only had them in size 12 so I had to pass.
0:19 Think of how much different our lives would be now if Run DMC had dressed in pastels and Iridescent Taffeta. And also if they had been hamsters.
0:21 You can say whatever you want but those fucking rodents can dance!
0:28 Those killer robots work hard, but they party hard, too.
0:31 Look at that rave bro in the upper left corner! He's all, like, "Hey! Ho! Hey! Ho!".
0:40 A Rastafarian hamster playing bongos at a dance-off in a war-torn landscape?? Now I've seen everything!.
0:47 I'm not sure what's worse: a future devoid of trees where aggressive intergalactic robots will wreak destruction upon our very souls, or a a future devoid of trees where aggressive intergalactic robots will wreak destruction upon our very souls where the only available car is a Kia.

Disco:Very Openly Invites Reader Hostility, Defends Most Hated Album on the Planet

noreply@blogger.com (Disco:Very) — Wed, 02 Nov 2011 04:39:00 +0000

The dirty diapers at Pitchfork went and gave Lulu, the debut collaboration between Elder Statesman Lou Reed and mosh mascots Metallica, their lowest available rating, and from the uproar one finds all over the music webisphere, Pitchfork is not alone in their disgust. Indie purists, please. Calm the fuck down. If there's one thing we've learned about Saint Lou over the years, it's that he's never going to stop merging his interest in highbrow literature with his passion for rock and roll. Stop insisting that he write another Sweet Jane and let the man fucking do his thing. If you can't slam your fists around the brutality which envelops the galloping Dragon or sink into the beauty of the lovely, lyrical 20-minute closer Junior Dad, then move along. Better yet, give it another spin, ignore Hetfield & Company and just pretend it's Robert Quine, Fernando Saunders and Doane Perry backing him instead.